Seeing as he always comes across as helping others and not looking out for himself, this “honest” tactic ironically gains him more trust and respect from others. The Negative Effects of Mobile Phones Essay, Understanding the Will of God: The Shack by William P. Young Essay example, Symbolism in Trifles by Susan Glaspell Essay, Wedding Speech Delivered by the Groom Essay. The nobleness of Othello, the kindness of Desdemona, and the loyalty of Cassio, Iago turns all these virtues into traps that destroy them all. Through the inter and intra personal dialogue between Othello and Iago, a certain, Shakespeare created the character of Iago in a complex way that made critics differ when interpreting the role he played in the Othello drama. honest, honest Iago.” [Act V, Scene 2, Line 147] Cassio: “I never knew a Florentine more kind and honest.” [Act III, Scene 1, Line 37] Iago builds his reputation; of this Iago says “Reputation is an idle and most false imposition, oft got without merit and lost without deserving.” [Act II, Scene III, Line 244]Throughout the story he is called “Honest Iago.” IAGO: I follow him to serve my turn upon him: We cannot all be masters, nor all masters Cannot be truly follow'd. His enemy Cassio still lives, vengefully tasked with his punition and he himself is forever denied the power he sought. The object poisons sight; Iago is the manipulative and omniscient puppet master of Othello that seemingly controls everything from behind the scenes. He must have expected the possibility of being captured, of being revealed as the mastermind; of being guiltily caught red handed with the bloodstained puppets hanging from his fingers. Iago is angered that his suit for lieutenant, which was supported by “three great ones of the city” was rejected in favor of Cassio, who he sees as nothing more than a theorist, someone with no experience in war and less skill than a spinster; while Iago remains as Othello’s ensign, a position he views as useless. ‘Motiveless malignity’ is incorrect, in my estimation. Iago affects the characters’ lives in a negative way by his honest reputation, his ability to “read” people, and how he “proves” to be Loyal. Iago is honest with many people during the book but makes it seem like he knows more than he is really telling. Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity. Othello's jealousy is not a constructive motive, for it Iago's supposed honesty is ironically, also a result of his own lying, … He is the protector of the weak, he who safeguards the honor of cuckolded men. Othello calls him ‘honest Iago’ as early as Act 1 Scene 3, and trusts him throughout the play. If you wish to divide the play into proactor and reactor; Iago is the one who instigates most of the interactions, conflict and action. The villainous Iago spits some truth about Othello. To me, some people operate under their own set of rules which the rest of us just can’t understand.”. Join Facebook to connect with Honest Iago and others you may know. “Honest Iago” is a motif I’ve made an attempt to bring up many times in this article because I wanted to really illustrate the dichotomy of Iago’s outward and inward characters. Iago is a master of deceiving, during the play people rarely stop to consider the possibility that Iago is deceiving or manipulating them. Some readers have suggested that Iago’s true, underlying motive for persecuting Othello is his homosexual love for the general. This is who Iago is. For more information visit www.freewillshakespeare.com. Good night. In the play, Shakespeare uses Othello, Roderigo, and Iago to prove the theme of Monstrous Jealousy by Othello slapping Desdemona in front of the Public of Venusians & calling her cruel names and Developing evil schemes to kill Desdemona at night. Iago, again pretending to be an honest man, acts shocked and tells her that as Othello's closest friend he will do what he can to figure out what has gotten into him. Top Tag’s. He is a villain that knows exactly what he’s doing and doesn’t care. Although the influence of the miracle plays and the later morality plays with their type-characters still lingered in some Elizabethan drama, the English Renaissance is widely recognized as a period of great interest in that branch of science which has become known in modern times as psychology. A viewer of House of Cards doesn’t leave without, frankly, being shocked by how manipulative Frank is and how weak and defenseless the other characters are in his hands. Society perceives loyalty as the faithfulness in those in relationships and those that have created a certain bond, and honesty as sincere without deceit or untruthfulness. His skill is in attracting people of all classes and outlooks to listen to him, from lower class, mentally simple knaves such as Rooderiga, to the educated and upper-class Cassio and Othello. Thoughout the play Iago is called “honest Iago”. With new ideals, such as humanism, spreading throughout Europe during this time it was inevitable that Shakespeare’s writings would be influenced by this. [1] Iago, it seems, is accounted an honest man, a man of worldly wisdom whose judgment is sought for by both Cassio and Othello. He, who cannot muster guilt or even the slightest doubt in the morality of his plots, is someone we cannot recognize, we cannot relate with. My friend, your husband, the honest, honest Iago. But he, as loving his own pride and purposes. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). Iago does provide several motivations for his actions throughout the play: And it is thought abroad that ’twixt my sheets, He’s done my office. Schapiro states that it’s incorrect to state Iago does not have a motive, or that his motive is meaningless. Directed by Arlen Konopaki. They seem unconvincing, like “afterthoughts”. As Fred West states in his article; Iago the Psychopath, Iago is so much more complex a character than a simple villain. Such as Cassio calling him “Honest Iago” and when Cassio got in that fight with Rodrigo, he believed that Iago was the only good, honest man on his side, even though he was the one who set him up. Iago presents his hatred for Othello and Cassio because of him being passed over for a promotion as his motivations for the vengeance he wishes to wrought upon the two. In William Shakespeare's tragedy, Othello, Shakespeare uses Iago’s verbal irony to imply that reputation derives from self-image issues and a yearning for success, but no one in society ever lives up to the reputation they create for themselves; concurrently, showing that human nature tends to be double-sided. Fiction, however, is not the only thing I can draw comparisons to. Iago is not the only, The Tragedy of Othello: The Moor of Venice is William Shakespeare’s play, written around sixteen hundreds. It is the cause. http://www.sandiegouniontribune.com/sdut-kevin-spacey-shines-as-shakespeares-richard-iii-2011jun30-story.html. Exeunt OTHELLO, DESDEMONA, and Attendants. Iago is stating in the first few lines how being honest and portraying qualities of honesty can be harmful and not safe, even when Iago calls Cassio a fool. At this point, it appears more that Iago is desperately searching for an excuse, a reason to hate Cassio. “All you have to do is watch the 6 o’clock news every night. The main reason that Iago had success on manipulating Othello was based on the social differences of these two characters. Is Othello, our valiant and brave titular protagonist, nothing more than another transparent villain? Iago is most honest. This is most ironic, of course, since Iago is the furthest thing from it. He decides to focus on his courteous manners and attentions to Desdemona. Stecula, Dominik. The band maintained a rotating membership of musicians and visual artists to ensure no two experiences would be the same. When they are, he admits to wanting that certain role or goal. CASSIO : Welcome, Iago; we must to the watch. Both Trump and Iago appeal to sexism and racism as scapegoats for their insecurities. Many expressed the view that Iago represented the reality of evil, an evil all the more powerful and terrifying because it was not based on reasons and could not be understood … This past fall, I asked my students to respond in writing to the issue of motiveless malignity. So we know Iago is utterly unrepentant and makes no attempt to justify his actions. This directly contradicts his stated motives; if he truly cares about his wife cheating on him, why does he only seek retribution on Othello and Cassio but not Emilia? He has risen through the ranks in the army by merit and achievement, and Othello, whose military judgment is excellent, has taken him as ancient (captain) because of his qualities. Shakespeare uses this character to set the basis of evil. The relationships that most interestingly relate to the homosocial continuum are Desdemona and Emilia, Iago and Roderigo, and Iago and Othello, much. Iago's comparative youth is a touch in the picture. Where did it begin? (2003). Iago means that because he is Othello's honest (loyal) friend he cannot honestly (truthfully) say everything he knows about Othello. Dramatists were particularly intrigued by the more bizarre working of the human mind, often creating characters whose personalities could form the subjects of contemporary psychological case studies. Honest Iago, My Desdemona must I leave to thee: I prithee, let thy wife attend on her: And bring them after in the best advantage. He has succeeded in his goal; not to elevate his position as he had once wished, but to utterly and completely destroy his hated master. These men have also duped almost everyone around them and, in Iago’s case this has devastating consequences. This is a punishment he deserves to inflict. He skillfully manipulates all who are around him; and it seems as if his ruthless determination and dogged persistence will not fail him. View the profiles of people named Honest Iago. https://lifeinthelenseblog.wordpress.com/2016/04/12/frank-underwood-a-modern-day-iago/. Iago doesn’t really believe in these motivations. Iago believes that women are controlled by their sexual desire, and that in her insatiable appetite Desdemona will surely grow tired of Othello’s sexual prowess (who being black, is surely inferior to whites). His motives-or excuses come more as afterthoughts, not as stimuli toward the heinous actions he perpetrates. Iago was neither "honest" nor foolish. 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